"God it's good to be alive," Johnny Rzeznik proclaims throughout the candy-coated opening track, "Big Machine," which ushers in the latest offering from The Goo Goo Dolls. Indeed, these days the Dolls, once Buffalo's underground doormat, must be feeling pretty darned good to be alive. Swooping down on the wings of 1998's profit machine, Dizzy Up The Girl, Rzeznik and company serve up a similar dish of super-produced, cleanly written, power pop just begging for their next string of radio/MTV hits. Gutterflower seems poised to pick right up where Dizzy left off a few years ago, with enough j